I work across the full production chain: QA to indie publishing, certification to platform delivery. I help studios and publishers move faster, ship cleaner, and handle everything between a promising pitch and a finished game.
QA at 34BigThings and Rebellion. Production back at 34BigThings. Publishing Production at Raw Fury. Most recently Producer at Untold Games on City 20. Now, Independent Producer, Co-founder of Scuola Nash and juror at Indie Arena Booth.
From AAA to single-developer indie teams. From QA to Production and Publishing. Every side of the table.
Project by project, on retainer, or as a focused audit. The engagement format adapts. The output does not. Two distinct toolkits depending on which side of the deal you’re on.
The right things at the right time. Schedules, documentation, and budgets, from pre-production all the way to gold master.
Clean releases, every platform, every market. Certifications, stores, launch logistics, external QA, and localisation.
Built my publishing chops at Raw Fury. I share the network, the experience, and an honest view on how to reach the players, without becoming your publisher.
Boxed editions are their own world. Distributors, replication, rating boards, all on different timelines. I’ve run that pipeline before, including Switch boxed and PS/Xbox discs.
A producer on your side of the table. Milestones, scope, and risk tracked across signed studios so surprises surface early, before Portfolio Review meetings.
Freelance scouting on the ground when your team can’t be present. Direct dev conversations, plus feedback on trends and projects worth watching.
A design read on signed and prospective titles, run with the design partners I work with. Where the design holds, where it leaks players, and what to prototype before greenlighting more scope.
A press-style critique of titles still in development. We play the build, write the review you’d wish you had at launch, and flag what reviewers will likely praise or pick apart.
The things people ask me on a first call, answered upfront. If yours isn’t here, send it through. I’d rather we both know what we’re agreeing to.
It depends on the format. For audits and project-based work, the rate is €250/day. For retainers (minimum 3 months), the rate is €3,500/month, a better deal for both sides when the engagement is ongoing. All rates include VAT and any applicable taxes on my end.
These are my standard terms. If your situation is different, bring it up on the call. I'd rather find a format that works than lose a good project over a number.
Yes, if the project calls for it. For most first conversations, a verbal commitment to confidentiality is sufficient. Discretion is standard practice.
You do. Everything I produce (schedules, GDD reviews, pipelines, cert prep) stays with you. That's the point.
A two-hour paid consultation at €120 if you just need a sanity check on a specific decision. Below that, the discovery call itself is free: half an hour, no pitch.
Yes. Nine years in the industry built a network of trusted studios, porting houses, QA partners, audio teams, and loc vendors. I introduce, brief, and coordinate them as part of the engagement. No referral fees on either side.
Yes. The discovery call doesn’t care what stage you’re in. If pitch deck shaping or publisher demo prep is what you need, that’s its own service. If you genuinely can’t afford anything yet, I’ll point you at the right reading or the right people, no strings.
CEO of Goldpact Goblins
“When I hit some issues I wasn’t certain how to resolve, Spritz Consulting was the obvious choice to bring in.”
Tell me about the game, the stage it’s in, and what’s getting in the way. If we fit, we’ll set up a 30-minute discovery call. If we don’t, I’ll send you to someone who does.
Prefer to talk? Book a free 30-minute discovery call.
Book a 30-minute callReplies usually go out within a couple of working days. For anything time-critical, book a call directly or say so in the message.
Want to skip the wait? Book a 30-minute call.